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Derek Strahan:
- Strahan was born in Penang,
Malaysia on May 28th, 1935. His early childhood was
- spent in colonial Malaya until
the age of 5, when he, his mother and sister were
- evacuated to Perth, Western
Australia, as Singapore fell to the Japanese in
- February 1942.
-
- From 1946 the Strahan family was
based in Northern Ireland, where Derek Strahan
- attended and completed his
schooling at Campbell College, Belfast.
-
- At this institution, from the age
of 15, Strahan experienced considerable conflict
- with authority and with community
mores generally, resulting from his interest in
- music and desire to become a
composer, and also as a result of developing views on
- religion and politics regarded as
radical.
-
- At Cambridge University, where he
was directed to enrol in an Arts degree in modern
- languages, Strahan developed an
interest in theatre and cinema, and acted in a number
- of university productions. His
musical activities were restricted to playing the
piano
- for pleasure and teaching himself
the guitar. In 1954, he graduated with a BA Cantab
- in Modem Languages. For the next
6 years, in London, Strahan worked as relief teacher,
- actor, and for a few months as
Assistant Film Director with a company making
- commercials.
-
- During this period Strahan's
interest in music composition re-emerged, ironically,
- through his admiration for the
work of Rabelaisian French chansonnier Georges
- Brassens.
-
- While the rest of the
English-speaking world was preoccupied with Rock 'n'
Rollers
- and folk singers, in the 1950s
Strahan was writing and performing English-language
- songs conceived in Gallic style,
for which he composed instrumental accompaniments.
- He persisted in this activity
until the mid-70s, earning a small income singing at
- coffee bars and folk venues in
London and, from 1961, in Sydney, Australia, where
- he married and became
resident.
-
- During 1969 Strahan appeared on
TV occasionally for ABC's This Day Tonight,
- and, for 9 months, in a weekly
morning spot on ATN 7's Breakfast Show, singing
- topical songs
of his own composition (music & lyrics), accompanying himself
on
- guitar and harmonica.
-
- From 1962 Strahan combined
composing film music with work as, variously, film
- director, script writer, actor
and teacher. From 1980 he resolved to give greater
- importance to composing and
increased his output of works for concert performance.
- At the same time, he maintained
contacts in the Australian film industry and has
- been involved in the production
of three Australian feature films for which he
- has written script and music, and
two of which he has co-directed. He has
- conducted courses in script
writing and acting.
-
- Strahan has released three
programs of his music on his own record label,
- Revolve, and his recorded works
are frequently broadcast on ABC and other
- fine music stations. His work is
also featured on the Jade label.
-
- From 1986, Strahan has been
active as a polemicist on music topics and has had
- a number of articles published,
mostly in music journals, and mostly concerned
- with improving the socioeconomic
position of composers. From 1984 to 1990 Strahan
- broadcast weekly on 2RES-FM
(Radio Eastern Sydney) contributing reviews and
- comment on music events. He
resumed this activity in 1994 contributing reviews
- of opera and music
theatre.
-
- As a composer, Strahan does not
subscribe exclusively to any particular school,
- style or set of musical dogmas.
He feels that none encompass the full range
- of his interests which as
composer include music theatre, concert, popular
- and ethnic musics and, as
librettist, the esoteric, the reinterpretation of
- ancient history through modem
scholarship and the psychosexual basis of
- personality.
-
- Strahan is concerned to retain
melodic lyricism, achieve harmonic liberation
- through a synthesis of melodic
and rhythmic polyphony. He finds that this
- requires an evolving use of
polytonality and polyrhythms.
-
- For music theatre and for concert
performance Strahan plans a program of
- work which will require his
survival for at least three more decades to
- fulfil.
-
- FILM MUSIC:
-
- A Sawdust Heart
(1963)
- Suite for small
ensemble
- Commissioned
by Childrens' Library & Crafts Movement for children's film.
-
- Expedition - Sherpa
Schoolhouse (1965)
- (Music score
incorporates Sherpa & Tibetan folk themes from field recordings)
- Commissioned by NZBC for
documentary on Sir Edmund Hillary's aid work
- in the Himalayas.
-
- Wheels Across Australia
(1968)
- Commissioned by Robert Raymond
for documentary.
-
- Life and Death on the Barrier
Reef (1969)
- Commissioned by Robert Raymond
for documentary.
- Recording:tape (Excerpts on
Cassette DS Media Music)
-
- Amazing Marsupials
(1970)
- Commissioned
by Robert Raymond for documentary series "Shell's Australia".
-
- The Changing Shape of
Australia (1971)
- Commissioned
by Robert Raymond for documentary series "Shell's Australia".
-
- A Land of Birds
(1972)
- Commissioned
by Robert Raymond for documentary series "Shell's Australia".
-
- The Coming of Man
(1973)
- Commissioned
by Robert Raymond for documentary series "Shell's Australia".
-
- Aliens Among Us
(1974)
- Commissioned by Densey Clyne for
documentary.
-
- Artisans of Australia
(1985)
- Commissioned by Film Australia
for 4 short documentaries on heritage crafts.
-
- Fantasy (1990)
- Commissioned by Combridge Pty Ltd
for feature film.
-
- Cult of Death
(1992)
- Commissioned by Combridge Pty Ltd
for feature film.
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